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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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<span class="selbread">LONDON FILM FESTIVAL SPECIAL</span></div>
</div>
<article class="post-50 post type-post status-publish format-standard category-fundraising-opportunities tag-Lorem entry" style="border:none;">
<div> <header class="entry-header">
<p class="entry-meta">
<time datetime="2014-02-14T12:29:43+00:00" itemprop="datePublished" class="entry-time">03 Jan, 2018</time></p>
<h1 itemprop="headline" class="entry-title">LONDON FILM FESTIVAL SPECIAL
</h1>
</header>
<div itemprop="text" class="entry-content">
<img src="https://www.friendsofwbgs.org/staging/img/articles/article_12.jpg" alt="" style="float:left;padding-right:20px;">
<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
</div>
</div></div>
</article>
<div style="text-align: right;">
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<a href="https://www.friendsofwbgs.org/staging/cms/users?qs=<pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2763b7-trace').style.display = (document.getElementById('cakeErr662e03b2763b7-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: User [<b>APP/View/News/view.ctp</b>, line <b>59</b>]<div id="cakeErr662e03b2763b7-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2763b7-code').style.display = (document.getElementById('cakeErr662e03b2763b7-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2763b7-context').style.display = (document.getElementById('cakeErr662e03b2763b7-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr662e03b2763b7-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"> </span><span style="color: #007700"><</span><span style="color: #0000BB">span style</span><span style="color: #007700">=</span><span style="color: #DD0000">"display: none;"</span><span style="color: #007700">>
</span></span></code>
<code><span style="color: #000000"> <span id="tootipval<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$blog</span><span style="color: #007700">[</span><span style="color: #DD0000">'Item'</span><span style="color: #007700">][</span><span style="color: #DD0000">'PK'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>">
</span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">if(!empty(</span><span style="color: #0000BB">$infonewslike</span><span style="color: #007700">)){foreach(</span><span style="color: #0000BB">$infonewslike </span><span style="color: #007700">as </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">){</span><span style="color: #0000BB">?></span><a href="<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">BASE_URL</span><span style="color: #007700">;</span><span style="color: #0000BB">?></span>cms/users?qs=<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>" class="personclass"><span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span></a><span style="color: #0000BB"><?php </span><span style="color: #007700">} } </span><span style="color: #0000BB">?>
</span></span></code></span></pre><pre id="cakeErr662e03b2763b7-context" class="cake-context" style="display: none;">$viewFile = '/home2/friendsofwbgs/public_html/staging/app/View/News/view.ctp'
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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The list of companies that fund match is too long for us to list here – most high street banks, building societies, supermarkets and large companies offer match funding, but these schemes are not exclusive to the big corporates. If you work for a small or independent company, they may be interested in charitable giving through match funding too.
Please ask your HR department or check your company’s intranet or employee website. If they offer match funding, we can provide the information you need and help you complete any paperwork to process the contribution easily. If you are able to help in this way please do get in touch at info@friendsofwbgs.org as this is a really simple way to make a big difference.
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)</pre><pre class="stack-trace">include - APP/View/News/view.ctp, line 59
View::_evaluate() - CORE/Cake/View/View.php, line 961
View::_render() - CORE/Cake/View/View.php, line 923
View::render() - CORE/Cake/View/View.php, line 473
Controller::render() - CORE/Cake/Controller/Controller.php, line 960
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 200
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 134</pre></div></pre>" class="personclass"><pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b276e6d-trace').style.display = (document.getElementById('cakeErr662e03b276e6d-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: User [<b>APP/View/News/view.ctp</b>, line <b>59</b>]<div id="cakeErr662e03b276e6d-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b276e6d-code').style.display = (document.getElementById('cakeErr662e03b276e6d-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b276e6d-context').style.display = (document.getElementById('cakeErr662e03b276e6d-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr662e03b276e6d-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"> </span><span style="color: #007700"><</span><span style="color: #0000BB">span style</span><span style="color: #007700">=</span><span style="color: #DD0000">"display: none;"</span><span style="color: #007700">>
</span></span></code>
<code><span style="color: #000000"> <span id="tootipval<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$blog</span><span style="color: #007700">[</span><span style="color: #DD0000">'Item'</span><span style="color: #007700">][</span><span style="color: #DD0000">'PK'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>">
</span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">if(!empty(</span><span style="color: #0000BB">$infonewslike</span><span style="color: #007700">)){foreach(</span><span style="color: #0000BB">$infonewslike </span><span style="color: #007700">as </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">){</span><span style="color: #0000BB">?></span><a href="<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">BASE_URL</span><span style="color: #007700">;</span><span style="color: #0000BB">?></span>cms/users?qs=<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>" class="personclass"><span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span></a><span style="color: #0000BB"><?php </span><span style="color: #007700">} } </span><span style="color: #0000BB">?>
</span></span></code></span></pre><pre id="cakeErr662e03b276e6d-context" class="cake-context" style="display: none;">$viewFile = '/home2/friendsofwbgs/public_html/staging/app/View/News/view.ctp'
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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The list of companies that fund match is too long for us to list here – most high street banks, building societies, supermarkets and large companies offer match funding, but these schemes are not exclusive to the big corporates. If you work for a small or independent company, they may be interested in charitable giving through match funding too.
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)</pre><pre class="stack-trace">include - APP/View/News/view.ctp, line 59
View::_evaluate() - CORE/Cake/View/View.php, line 961
View::_render() - CORE/Cake/View/View.php, line 923
View::render() - CORE/Cake/View/View.php, line 473
Controller::render() - CORE/Cake/Controller/Controller.php, line 960
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 200
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 134</pre></div></pre></a><a href="https://www.friendsofwbgs.org/staging/cms/users?qs=<pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2777de-trace').style.display = (document.getElementById('cakeErr662e03b2777de-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: User [<b>APP/View/News/view.ctp</b>, line <b>59</b>]<div id="cakeErr662e03b2777de-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2777de-code').style.display = (document.getElementById('cakeErr662e03b2777de-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2777de-context').style.display = (document.getElementById('cakeErr662e03b2777de-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr662e03b2777de-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"> </span><span style="color: #007700"><</span><span style="color: #0000BB">span style</span><span style="color: #007700">=</span><span style="color: #DD0000">"display: none;"</span><span style="color: #007700">>
</span></span></code>
<code><span style="color: #000000"> <span id="tootipval<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$blog</span><span style="color: #007700">[</span><span style="color: #DD0000">'Item'</span><span style="color: #007700">][</span><span style="color: #DD0000">'PK'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>">
</span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">if(!empty(</span><span style="color: #0000BB">$infonewslike</span><span style="color: #007700">)){foreach(</span><span style="color: #0000BB">$infonewslike </span><span style="color: #007700">as </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">){</span><span style="color: #0000BB">?></span><a href="<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">BASE_URL</span><span style="color: #007700">;</span><span style="color: #0000BB">?></span>cms/users?qs=<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>" class="personclass"><span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span></a><span style="color: #0000BB"><?php </span><span style="color: #007700">} } </span><span style="color: #0000BB">?>
</span></span></code></span></pre><pre id="cakeErr662e03b2777de-context" class="cake-context" style="display: none;">$viewFile = '/home2/friendsofwbgs/public_html/staging/app/View/News/view.ctp'
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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The list of companies that fund match is too long for us to list here – most high street banks, building societies, supermarkets and large companies offer match funding, but these schemes are not exclusive to the big corporates. If you work for a small or independent company, they may be interested in charitable giving through match funding too.
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)</pre><pre class="stack-trace">include - APP/View/News/view.ctp, line 59
View::_evaluate() - CORE/Cake/View/View.php, line 961
View::_render() - CORE/Cake/View/View.php, line 923
View::render() - CORE/Cake/View/View.php, line 473
Controller::render() - CORE/Cake/Controller/Controller.php, line 960
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 200
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 134</pre></div></pre>" class="personclass"><pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b27839f-trace').style.display = (document.getElementById('cakeErr662e03b27839f-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: User [<b>APP/View/News/view.ctp</b>, line <b>59</b>]<div id="cakeErr662e03b27839f-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b27839f-code').style.display = (document.getElementById('cakeErr662e03b27839f-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b27839f-context').style.display = (document.getElementById('cakeErr662e03b27839f-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr662e03b27839f-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"> </span><span style="color: #007700"><</span><span style="color: #0000BB">span style</span><span style="color: #007700">=</span><span style="color: #DD0000">"display: none;"</span><span style="color: #007700">>
</span></span></code>
<code><span style="color: #000000"> <span id="tootipval<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$blog</span><span style="color: #007700">[</span><span style="color: #DD0000">'Item'</span><span style="color: #007700">][</span><span style="color: #DD0000">'PK'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>">
</span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">if(!empty(</span><span style="color: #0000BB">$infonewslike</span><span style="color: #007700">)){foreach(</span><span style="color: #0000BB">$infonewslike </span><span style="color: #007700">as </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">){</span><span style="color: #0000BB">?></span><a href="<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">BASE_URL</span><span style="color: #007700">;</span><span style="color: #0000BB">?></span>cms/users?qs=<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>" class="personclass"><span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span></a><span style="color: #0000BB"><?php </span><span style="color: #007700">} } </span><span style="color: #0000BB">?>
</span></span></code></span></pre><pre id="cakeErr662e03b27839f-context" class="cake-context" style="display: none;">$viewFile = '/home2/friendsofwbgs/public_html/staging/app/View/News/view.ctp'
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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<p>The 61st London Film Festival
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<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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The list of companies that fund match is too long for us to list here – most high street banks, building societies, supermarkets and large companies offer match funding, but these schemes are not exclusive to the big corporates. If you work for a small or independent company, they may be interested in charitable giving through match funding too.
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)</pre><pre class="stack-trace">include - APP/View/News/view.ctp, line 59
View::_evaluate() - CORE/Cake/View/View.php, line 961
View::_render() - CORE/Cake/View/View.php, line 923
View::render() - CORE/Cake/View/View.php, line 473
Controller::render() - CORE/Cake/Controller/Controller.php, line 960
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 200
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 134</pre></div></pre></a> </span></span>
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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The list of companies that fund match is too long for us to list here – most high street banks, building societies, supermarkets and large companies offer match funding, but these schemes are not exclusive to the big corporates. If you work for a small or independent company, they may be interested in charitable giving through match funding too.
Please ask your HR department or check your company’s intranet or employee website. If they offer match funding, we can provide the information you need and help you complete any paperwork to process the contribution easily. If you are able to help in this way please do get in touch at info@friendsofwbgs.org as this is a really simple way to make a big difference.
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<span class="selbread">LONDON FILM FESTIVAL SPECIAL</span></div>
</div>
<article class="post-50 post type-post status-publish format-standard category-fundraising-opportunities tag-Lorem entry" style="border:none;">
<div> <header class="entry-header">
<p class="entry-meta">
<time datetime="2014-02-14T12:29:43+00:00" itemprop="datePublished" class="entry-time">03 Jan, 2018</time></p>
<h1 itemprop="headline" class="entry-title">LONDON FILM FESTIVAL SPECIAL
</h1>
</header>
<div itemprop="text" class="entry-content">
<img src="https://www.friendsofwbgs.org/staging/img/articles/article_12.jpg" alt="" style="float:left;padding-right:20px;">
<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
</div>
</div></div>
</article>
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<a href="https://www.friendsofwbgs.org/staging/cms/users?qs=<pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2763b7-trace').style.display = (document.getElementById('cakeErr662e03b2763b7-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: User [<b>APP/View/News/view.ctp</b>, line <b>59</b>]<div id="cakeErr662e03b2763b7-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2763b7-code').style.display = (document.getElementById('cakeErr662e03b2763b7-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2763b7-context').style.display = (document.getElementById('cakeErr662e03b2763b7-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr662e03b2763b7-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"> </span><span style="color: #007700"><</span><span style="color: #0000BB">span style</span><span style="color: #007700">=</span><span style="color: #DD0000">"display: none;"</span><span style="color: #007700">>
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</span></span></code></span></pre><pre id="cakeErr662e03b2763b7-context" class="cake-context" style="display: none;">$viewFile = '/home2/friendsofwbgs/public_html/staging/app/View/News/view.ctp'
$dataForView = array(
'notecount' => (int) 0,
'blog' => array(
'Item' => array(
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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into fundraising and promote a sense of community within the school.</p>
<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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participation and input. We run a number of social events and provide
refreshments at school concerts and plays. Our aim is to put the fun
into fundraising and promote a sense of community within the school.</p>
<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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<p>The Friends association organises and runs a number of social and
fundraising events throughout the year. These include an annual quiz
night, a bi-annual Summer Ball, the Year 7 Fun Day, as well as a variety
of smaller events. We also provide refreshments and organise a raffle
at school concerts, plays and parents’ meetings. </p>
<p>We are always grateful for volunteers to help at an event and donations
of raffle prizes. If you are able to help at an event or would like to
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The list of companies that fund match is too long for us to list here – most high street banks, building societies, supermarkets and large companies offer match funding, but these schemes are not exclusive to the big corporates. If you work for a small or independent company, they may be interested in charitable giving through match funding too.
Please ask your HR department or check your company’s intranet or employee website. If they offer match funding, we can provide the information you need and help you complete any paperwork to process the contribution easily. If you are able to help in this way please do get in touch at info@friendsofwbgs.org as this is a really simple way to make a big difference.
Thank you
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We are also grateful for any donations of clean uniform and sports kit (including boots) in good condition – these can be left in school reception at any time.
Thank you',
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)</pre><pre class="stack-trace">include - APP/View/News/view.ctp, line 59
View::_evaluate() - CORE/Cake/View/View.php, line 961
View::_render() - CORE/Cake/View/View.php, line 923
View::render() - CORE/Cake/View/View.php, line 473
Controller::render() - CORE/Cake/Controller/Controller.php, line 960
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 200
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 134</pre></div></pre>" class="personclass"><pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b276e6d-trace').style.display = (document.getElementById('cakeErr662e03b276e6d-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: User [<b>APP/View/News/view.ctp</b>, line <b>59</b>]<div id="cakeErr662e03b276e6d-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b276e6d-code').style.display = (document.getElementById('cakeErr662e03b276e6d-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b276e6d-context').style.display = (document.getElementById('cakeErr662e03b276e6d-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr662e03b276e6d-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"> </span><span style="color: #007700"><</span><span style="color: #0000BB">span style</span><span style="color: #007700">=</span><span style="color: #DD0000">"display: none;"</span><span style="color: #007700">>
</span></span></code>
<code><span style="color: #000000"> <span id="tootipval<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$blog</span><span style="color: #007700">[</span><span style="color: #DD0000">'Item'</span><span style="color: #007700">][</span><span style="color: #DD0000">'PK'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>">
</span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">if(!empty(</span><span style="color: #0000BB">$infonewslike</span><span style="color: #007700">)){foreach(</span><span style="color: #0000BB">$infonewslike </span><span style="color: #007700">as </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">){</span><span style="color: #0000BB">?></span><a href="<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">BASE_URL</span><span style="color: #007700">;</span><span style="color: #0000BB">?></span>cms/users?qs=<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>" class="personclass"><span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span></a><span style="color: #0000BB"><?php </span><span style="color: #007700">} } </span><span style="color: #0000BB">?>
</span></span></code></span></pre><pre id="cakeErr662e03b276e6d-context" class="cake-context" style="display: none;">$viewFile = '/home2/friendsofwbgs/public_html/staging/app/View/News/view.ctp'
$dataForView = array(
'notecount' => (int) 0,
'blog' => array(
'Item' => array(
'PK' => '12',
'UUID' => null,
'template' => '',
'tx_name' => 'LONDON FILM FESTIVAL SPECIAL',
'pk_itemType' => '0',
'pk_itemCategory' => null,
'dt_created' => '2018-01-03 05:23:20',
'dt_active' => '2018-03-26 11:28:19',
'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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school. As a parent you are automatically a member and we welcome your
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refreshments at school concerts and plays. Our aim is to put the fun
into fundraising and promote a sense of community within the school.</p>
<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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<p>We are always grateful for volunteers to help at an event and donations
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school. As a parent you are automatically a member and we welcome your
participation and input. We run a number of social events and provide
refreshments at school concerts and plays. Our aim is to put the fun
into fundraising and promote a sense of community within the school.</p>
<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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<div class="entry-content" itemprop="text">
<p>The Friends association organises and runs a number of social and
fundraising events throughout the year. These include an annual quiz
night, a bi-annual Summer Ball, the Year 7 Fun Day, as well as a variety
of smaller events. We also provide refreshments and organise a raffle
at school concerts, plays and parents’ meetings. </p>
<p>We are always grateful for volunteers to help at an event and donations
of raffle prizes. If you are able to help at an event or would like to
find out more about getting involved please get in touch by sending an
e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a></p></div>
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The list of companies that fund match is too long for us to list here – most high street banks, building societies, supermarkets and large companies offer match funding, but these schemes are not exclusive to the big corporates. If you work for a small or independent company, they may be interested in charitable giving through match funding too.
Please ask your HR department or check your company’s intranet or employee website. If they offer match funding, we can provide the information you need and help you complete any paperwork to process the contribution easily. If you are able to help in this way please do get in touch at info@friendsofwbgs.org as this is a really simple way to make a big difference.
Thank you
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We are also grateful for any donations of clean uniform and sports kit (including boots) in good condition – these can be left in school reception at any time.
Thank you',
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'accname' => 'Chartered Madhura Apartment Owners' Association',
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)</pre><pre class="stack-trace">include - APP/View/News/view.ctp, line 59
View::_evaluate() - CORE/Cake/View/View.php, line 961
View::_render() - CORE/Cake/View/View.php, line 923
View::render() - CORE/Cake/View/View.php, line 473
Controller::render() - CORE/Cake/Controller/Controller.php, line 960
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 200
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 134</pre></div></pre></a><a href="https://www.friendsofwbgs.org/staging/cms/users?qs=<pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2777de-trace').style.display = (document.getElementById('cakeErr662e03b2777de-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: User [<b>APP/View/News/view.ctp</b>, line <b>59</b>]<div id="cakeErr662e03b2777de-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2777de-code').style.display = (document.getElementById('cakeErr662e03b2777de-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b2777de-context').style.display = (document.getElementById('cakeErr662e03b2777de-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr662e03b2777de-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"> </span><span style="color: #007700"><</span><span style="color: #0000BB">span style</span><span style="color: #007700">=</span><span style="color: #DD0000">"display: none;"</span><span style="color: #007700">>
</span></span></code>
<code><span style="color: #000000"> <span id="tootipval<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$blog</span><span style="color: #007700">[</span><span style="color: #DD0000">'Item'</span><span style="color: #007700">][</span><span style="color: #DD0000">'PK'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>">
</span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">if(!empty(</span><span style="color: #0000BB">$infonewslike</span><span style="color: #007700">)){foreach(</span><span style="color: #0000BB">$infonewslike </span><span style="color: #007700">as </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">){</span><span style="color: #0000BB">?></span><a href="<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">BASE_URL</span><span style="color: #007700">;</span><span style="color: #0000BB">?></span>cms/users?qs=<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>" class="personclass"><span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span></a><span style="color: #0000BB"><?php </span><span style="color: #007700">} } </span><span style="color: #0000BB">?>
</span></span></code></span></pre><pre id="cakeErr662e03b2777de-context" class="cake-context" style="display: none;">$viewFile = '/home2/friendsofwbgs/public_html/staging/app/View/News/view.ctp'
$dataForView = array(
'notecount' => (int) 0,
'blog' => array(
'Item' => array(
'PK' => '12',
'UUID' => null,
'template' => '',
'tx_name' => 'LONDON FILM FESTIVAL SPECIAL',
'pk_itemType' => '0',
'pk_itemCategory' => null,
'dt_created' => '2018-01-03 05:23:20',
'dt_active' => '2018-03-26 11:28:19',
'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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into fundraising and promote a sense of community within the school.</p>
<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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school. As a parent you are automatically a member and we welcome your
participation and input. We run a number of social events and provide
refreshments at school concerts and plays. Our aim is to put the fun
into fundraising and promote a sense of community within the school.</p>
<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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<p>The Friends association organises and runs a number of social and
fundraising events throughout the year. These include an annual quiz
night, a bi-annual Summer Ball, the Year 7 Fun Day, as well as a variety
of smaller events. We also provide refreshments and organise a raffle
at school concerts, plays and parents’ meetings. </p>
<p>We are always grateful for volunteers to help at an event and donations
of raffle prizes. If you are able to help at an event or would like to
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The list of companies that fund match is too long for us to list here – most high street banks, building societies, supermarkets and large companies offer match funding, but these schemes are not exclusive to the big corporates. If you work for a small or independent company, they may be interested in charitable giving through match funding too.
Please ask your HR department or check your company’s intranet or employee website. If they offer match funding, we can provide the information you need and help you complete any paperwork to process the contribution easily. If you are able to help in this way please do get in touch at info@friendsofwbgs.org as this is a really simple way to make a big difference.
Thank you
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We are also grateful for any donations of clean uniform and sports kit (including boots) in good condition – these can be left in school reception at any time.
Thank you',
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)</pre><pre class="stack-trace">include - APP/View/News/view.ctp, line 59
View::_evaluate() - CORE/Cake/View/View.php, line 961
View::_render() - CORE/Cake/View/View.php, line 923
View::render() - CORE/Cake/View/View.php, line 473
Controller::render() - CORE/Cake/Controller/Controller.php, line 960
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 200
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 134</pre></div></pre>" class="personclass"><pre class="cake-error"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b27839f-trace').style.display = (document.getElementById('cakeErr662e03b27839f-trace').style.display == 'none' ? '' : 'none');"><b>Notice</b> (8)</a>: Undefined index: User [<b>APP/View/News/view.ctp</b>, line <b>59</b>]<div id="cakeErr662e03b27839f-trace" class="cake-stack-trace" style="display: none;"><a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b27839f-code').style.display = (document.getElementById('cakeErr662e03b27839f-code').style.display == 'none' ? '' : 'none')">Code</a> <a href="javascript:void(0);" onclick="document.getElementById('cakeErr662e03b27839f-context').style.display = (document.getElementById('cakeErr662e03b27839f-context').style.display == 'none' ? '' : 'none')">Context</a><pre id="cakeErr662e03b27839f-code" class="cake-code-dump" style="display: none;"><code><span style="color: #000000"><span style="color: #0000BB"> </span><span style="color: #007700"><</span><span style="color: #0000BB">span style</span><span style="color: #007700">=</span><span style="color: #DD0000">"display: none;"</span><span style="color: #007700">>
</span></span></code>
<code><span style="color: #000000"> <span id="tootipval<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$blog</span><span style="color: #007700">[</span><span style="color: #DD0000">'Item'</span><span style="color: #007700">][</span><span style="color: #DD0000">'PK'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>">
</span></code>
<span class="code-highlight"><code><span style="color: #000000"> <span style="color: #0000BB"><?php </span><span style="color: #007700">if(!empty(</span><span style="color: #0000BB">$infonewslike</span><span style="color: #007700">)){foreach(</span><span style="color: #0000BB">$infonewslike </span><span style="color: #007700">as </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">){</span><span style="color: #0000BB">?></span><a href="<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">BASE_URL</span><span style="color: #007700">;</span><span style="color: #0000BB">?></span>cms/users?qs=<span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span>" class="personclass"><span style="color: #0000BB"><?php </span><span style="color: #007700">echo </span><span style="color: #0000BB">$infolike_row</span><span style="color: #007700">[</span><span style="color: #DD0000">'User'</span><span style="color: #007700">][</span><span style="color: #DD0000">'name'</span><span style="color: #007700">];</span><span style="color: #0000BB">?></span></a><span style="color: #0000BB"><?php </span><span style="color: #007700">} } </span><span style="color: #0000BB">?>
</span></span></code></span></pre><pre id="cakeErr662e03b27839f-context" class="cake-context" style="display: none;">$viewFile = '/home2/friendsofwbgs/public_html/staging/app/View/News/view.ctp'
$dataForView = array(
'notecount' => (int) 0,
'blog' => array(
'Item' => array(
'PK' => '12',
'UUID' => null,
'template' => '',
'tx_name' => 'LONDON FILM FESTIVAL SPECIAL',
'pk_itemType' => '0',
'pk_itemCategory' => null,
'dt_created' => '2018-01-03 05:23:20',
'dt_active' => '2018-03-26 11:28:19',
'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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'mmo_content' => '<h4>London Film Festival: Top Films Reviewed</h4><div itemprop="text" class="entry-content">
<p>The 61st London Film Festival
showcased new cinema from some of the world's leading filmmakers, and
introduced exciting up-and- coming talent. </p>
<p>I saw 36 films on the programme and
found myself attempting to process that overwhelming volume by looking
for patterns to connect them.</p>
<p>Coming-of-age narratives dominated
the festival (as they often do). A pair of films ( Summer 1993 and The
Florida Project ) viewed traumatic events through a child's innocent
gaze. Both of these films, and several others, ( Call Me by Your Name ,
Ava ), took place over a vividly captured summer. </p>
<p>I saw two films in which nosebleeds
were induced by desire, and unpleasantly I witnessed more equine
fatalities than anyone should in the space of 11 days.</p>
<p>At festivals, the lows are
excruciating and mediocre films are quickly forgotten, but those that
are truly outstanding feel like much needed gasps of cool, crisp air.
This time, eight films made LFF worthwhile. They will be among the best
cinema to look forward to this year and next.
</p>
<h3>Ava</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956739ava.jpg" style="float:left;padding-right:20px;">
<p>Léa Mysius' debut, Ava uses the onset
of blindness as a metaphor for growing up. Ava (astonishing newcomer
Noée Abita) is 13 when she is told that she will soon lose her sight.
Her response is not self pity, but rather a steely determination to
banish her innocence and inexperience while she can still see the world
around her.</p>
<p> Ava is a coming-of-age narrative in
fast forward, shot with dizzyingly rich colours and infused with
ceaseless, invigorating energy. Mysius has announced herself as a
director with a bold and unique vision. Along with recent debuts Raw and
Divines , Ava assures us that the future of French cinema is in good
hands.</p>
<p> Ava does not yet have a release date</p>
<h3>Call Me by Your Name</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956764callbyname.jpg" style="float:left;padding-right:20px;">
<p>Call Me by Your Name is destined to
be a classic. Luca Guadagnino's gorgeous Italian summer romance centres
on the relationship between 17-year-old Elio (Timothée Chalamet) and his
father's 24-year-old American apprentice, Oliver (Armie Hammer). </p>
<p>It was not until watching Call Me by
Your Name that I realised how rare it is to see a relationship depicted
like this on screen, where cinematic pleasure comes not from conflict or
anguish, but from watching two people take joy in each other's company.
Eating food, swimming, riding bikes and playing music take up most of
the screen time, but the actors' chemistry is so compelling that you
would happily watch them doing nothing for hours. </p>
<p>Chalamet is the standout, bringing
his character's arc of self discovery to a heartrending, life-affirming
end point. Both Guadagnino and his lead actor are uncommonly wise about
the long term impact that a passionate first love can have on a person's
life. Call Me by Your Name is special because it captures both the
intensity of being within that love, and the perspective gained when you
arewithout it.</p>
<p>Call Me by Your Name will be released on October 27th</p>
<h3>The Florida Project</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956800florida.jpg" style="float:left;padding-right:20px;">
<p>The Florida Project is Sean Baker's
child's-eye- view of the hidden homeless. Living in a dingy motel just
outside Disney World, precocious six-year-old Moonee (Brooklynn Prince)
sees her bleak situation in bright colours. Baker occasionally allows
the adults to lead the narrative: Moonee's young mother Halley (Bria
Vinaite) and the stern but kindly motel manager Bobby (Willem Defoe). </p>
<p>Their story is darker than the
innocent lens through which Moonee filters it. When seen through that
lens, The Florida Project is a funny, feel-good film; when it confronts
reality, it is devastating. </p>
<p>Though rough around the edges, The
Florida Project fills you fit-to-bursting with an emotion that is best
described as happiness and heartbreak made one.</p>
<p>The Florida Project will be released on November 10th</p>
<h3>Lady Bird</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956866ladybird.jpg" style="float:left;padding-right:20px;">
<p>Greta Gerwig's solo directorial debut
Lady Bird is an intensely personal and specific account of a Sacramento
teen's last year of high school. Saoirse Ronan plays Christine "Lady
Bird" McPherson, a girl who gives herself a new name as she tries to
forge a new identity. Lady Bird is desperate to leave Sacramento for a
big city ― and desperate to leave behind her fraught relationship with
her mother (Laurie Metcalf).</p>
<p>Gerwig has noted that she drew
heavily from her own adolescence when writing the film. The perspective
and wisdom she has gained in the years since informs the way Gerwig
tells Lady Bird's story: never demonising the young woman for being
stuck in her own head, but still keeping a knowing distance. </p>
<p>Through episodic storytelling, Lady
Bird paints a remarkably comprehensive portrait of its protagonist's
scattered life and various relationships. It is bound to be an important
film for young girls who will see themselves in Lady Bird's escapades.
It will also mean a lot to those who can look back on when they were in
Lady Bird's position, unable to see how much they would miss home until
they were gone.</p>
<p>Lady Bird will be released on February 16th 2018 </p>
<h3>Person to Person</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956885person.jpg" style="float:left;padding-right:20px;">
<p>Set over the course of a single day
in the lives of several New Yorkers, Person to Person is a delightfully
sweet and funny ode to the everyday. A series of amusing vignettes poke
fun at the foibles and anxieties of various characters, and all these
observations build to something profound. </p>
<p>Director Dustin Guy Defa shoots on
grainy 16mm film and dresses his actors and set in retro design, giving
the story a sense of timelessness that is only interrupted by the
appearance of mobile phones.</p>
<p>Engaging in record sales and hands-on
work, they are characters out of time, with internal clocks that tick
at a more patient rhythm than the rest of us. </p>
<p>Similar to Jim Jarmusch's Paterson
last year, Person to Person is a micro-sized delight ― a joyful little
film about being decent to each other. It will get you noticing all the
things you love about life.</p>
<p>Person to Person does not yet have a release date
</p>
<h3>Summer 1993</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956904summer.jpg" style="float:left;padding-right:20px;">
<p>Summer 1993 was one of the most
exciting debuts I saw at LFF this year. Carla Simón's film is told
through the eyes of six-year-old Frida, who is processing the deaths of
her parents, while unable to comprehend what death means. Frida doesn't
understand that they're gone forever; she still expects her mother to
answer the phone when called. </p>
<p>Simón immerses us in her perspective
through subjective sound design and camerawork. She is able to track
Frida's arc of processing grief to its natural end ― finishing the film
on a swift but impactful note. </p>
<p>Simón's film suggests that a happy
ending doesn't have to involve Frida moving on from her grief. Finding a
way to express it is enough.</p>
<p>Summer 1993 does not yet have a release date
</p>
<h3>Thelma</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956921thelma.jpg" style="float:left;padding-right:20px;">
<p>Joachim Trier's Thelma is his latest
captivating mix of formal and experimental filmmaking. It has been
called a riff on Carrie , but Thelma takes that film's concept to new
and exciting places. </p>
<p>The eponymous Thelma (a brilliant
Eili Harboe) is a deeply religious college student whose guilt over
falling in love with a woman (Kaya Wilkins) manifests in seizures and
supernatural episodes. </p>
<p>Trier is a sensitive filmmaker and
while his stylistic choices are refined, he is emotionally intimate with
his characters. As in his last feature Louder Than Bombs , he sets
aside a few sequences to let himself loose to experiment. The result is
both moving and chilling, with a score and horror imagery that is
harrowing on a molecular level.</p>
<p> Thelma will be released on November 3rd</p>
<h3>You Were Never Really Here</h3>
<img src="http://friendsofwbgs.org/staging//img/editor/1514956936neverhere.jpg" style="float:left;padding-right:20px;">
<p>You Were Never Really Here is Lynne
Ramsay's most brutish film, and her most experimental. With Ratcatcher ,
Morvern Callar and We Need to Talk About Kevin , Ramsay has already
proved herself to be one of the world's leading filmmakers. </p>
<p>You Were Never Really Here pares back
and intensifies her images and sounds more than ever before, with the
resulting visceral impact of a sledgehammer. Joaquin Phoenix won best
actor at Cannes for his portrayal of a withdrawn hitman on a mission to
rescue a young girl from sex trafficking. </p>
<p>Ramsay's film is violent in more ways
than one: both the physical violence on screen and her stylistic
violence are overwhelming. Intentionally, there is a thudding lack of
subtlety. Everything you see or hear means something, and Ramsay makes
no attempt to disguise that meaning ― which you'll have to decide for
yourself whether to admire or deride. </p>
<p>Measuring the extent of its quality
on a single viewing would be doing a disservice to You Were Never Really
Here , given how challenging it sets out to be. It is impossible to
shake.</p>
<p>You Were Never Really Here will be released on March 9th 2018 Orla Smith</p>
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'title' => 'News – Friends of Watford Grammar School for Boys',
'metakeyword' => 'News – Friends of Watford Grammar School for Boys',
'metadescription' => 'News – Friends of Watford Grammar School for Boys',
'content' => '<p>Please donate or help us by visiting our sponsors.</p>
',
'status' => 'Active',
'date' => '2015-07-07 00:33:32'
)
)
$adsection = array()
$text = array()
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<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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'content' => '<p>We are an association of parents and staff committed to supporting the
school. As a parent you are automatically a member and we welcome your
participation and input. We run a number of social events and provide
refreshments at school concerts and plays. Our aim is to put the fun
into fundraising and promote a sense of community within the school.</p>
<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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'content' => '<article class="post-5 page type-page status-publish entry">
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<p>The Friends association organises and runs a number of social and
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<p>We are always grateful for volunteers to help at an event and donations
of raffle prizes. If you are able to help at an event or would like to
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'status' => 'Active',
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'content' => '',
'status' => 'Active',
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school. As a parent you are automatically a member and we welcome your
participation and input. We run a number of social events and provide
refreshments at school concerts and plays. Our aim is to put the fun
into fundraising and promote a sense of community within the school.</p>
<p>With your support we can raise more funds and build a stronger school community. If you have any ideas, please send an e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a> </p>
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'metakeyword' => 'Events – Friends of Watford Grammar School for Boys',
'metadescription' => 'Events – Friends of Watford Grammar School for Boys',
'content' => '<article class="post-5 page type-page status-publish entry">
<div class="entry-content" itemprop="text">
<p>The Friends association organises and runs a number of social and
fundraising events throughout the year. These include an annual quiz
night, a bi-annual Summer Ball, the Year 7 Fun Day, as well as a variety
of smaller events. We also provide refreshments and organise a raffle
at school concerts, plays and parents’ meetings. </p>
<p>We are always grateful for volunteers to help at an event and donations
of raffle prizes. If you are able to help at an event or would like to
find out more about getting involved please get in touch by sending an
e-mail to <a href="mailto:info@friendsofwbgs.org">info@friendsofwbgs.org</a></p></div>
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)
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'Announcement' => array(
'id' => '34',
'subject' => 'Match Funding – an easy way you can help us raise funds.',
'message' => 'Match giving, or match funding, is a simple way you can help us to maximise the Friends of School fundraising efforts. Many companies offer employees the chance to boost their fundraising efforts by 'matching' the money they raise at an event or through an activity, such as our big raffle.
The list of companies that fund match is too long for us to list here – most high street banks, building societies, supermarkets and large companies offer match funding, but these schemes are not exclusive to the big corporates. If you work for a small or independent company, they may be interested in charitable giving through match funding too.
Please ask your HR department or check your company’s intranet or employee website. If they offer match funding, we can provide the information you need and help you complete any paperwork to process the contribution easily. If you are able to help in this way please do get in touch at info@friendsofwbgs.org as this is a really simple way to make a big difference.
Thank you
',
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)
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We are also grateful for any donations of clean uniform and sports kit (including boots) in good condition – these can be left in school reception at any time.
Thank you',
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'tz' => 'Asia/Kolkata',
'gmt' => '(GMT +5:30) Mumbai, Kolkata, Chennai, New Delhi',
'tzoffset' => '+05:30'
)
)
$dateformat = array(
'Dformate' => array(
'did' => '7',
'php' => 'd M, Y',
'script' => 'dd M, yy',
'status' => 'Active'
)
)
$ht = array(
(int) 1 => 'Paid bar and soft drinks before event',
(int) 2 => 'Serving drinks to parents on arrival',
(int) 3 => 'Tea & coffee for teachers',
(int) 4 => 'Interval drinks',
(int) 5 => 'Paid bar',
(int) 6 => 'Refreshments',
(int) 7 => 'BBQ',
(int) 8 => 'Kit Shop',
(int) 9 => 'Raffle',
(int) 10 => 'Interval food'
)
$setting = array(
'Setting' => array(
'id' => '1',
'logo' => 'small-2.png',
'currency' => '&#8377;',
'fbappid' => '',
'fbpageid' => '',
'fbsecure' => '',
'dateformat' => '7',
'cemail' => 'info@friendsofwbgs.org',
'phone' => '',
'address' => '',
'facebook' => '',
'twitter' => '',
'accname' => 'Chartered Madhura Apartment Owners' Association',
'bankname' => 'State Bank of India',
'branch' => 'KSRTC Layout, Uttarahalli',
'accno' => '00 00 00 64 09 07 08 384',
'acctype' => 'Savings Account',
'ifsccode' => 'SBIN 00 40 621',
'yearend' => '09-28',
'power' => 'BZCloud Community Platform ',
'powerlink' => 'https://bzcloud.uk',
'gapp' => '6LcJ8MAUAAAAANP--_-QxzI6Mqt8pQJHuInJdfPH',
'gsec' => '6LcJ8MAUAAAAAHurVmTiv4Ol5CYb5HrXPxnZu_QH',
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'test_secreat' => 'pk_test_J2RqZqC7D9Y3LWIGpdFg15K000uNq0mdmR'
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$imagename = 'https://www.friendsofwbgs.org/staging/img/articles/article_12.jpg'
$infonewslike = array(
(int) 0 => array(
'ItemLike' => array(
'id' => '4',
'uid' => '1',
'nid' => '12',
'cid' => '0',
'ip' => '',
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)
),
(int) 1 => array(
'ItemLike' => array(
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'uid' => '86',
'nid' => '12',
'cid' => '0',
'ip' => '',
'date' => '2018-05-17 12:01:46'
)
)
)
$infonewslikeuser = (int) 2
$likenewstxt = ' likes'
$infolike_row = array(
'ItemLike' => array(
'id' => '11',
'uid' => '86',
'nid' => '12',
'cid' => '0',
'ip' => '',
'date' => '2018-05-17 12:01:46'
)
)</pre><pre class="stack-trace">include - APP/View/News/view.ctp, line 59
View::_evaluate() - CORE/Cake/View/View.php, line 961
View::_render() - CORE/Cake/View/View.php, line 923
View::render() - CORE/Cake/View/View.php, line 473
Controller::render() - CORE/Cake/Controller/Controller.php, line 960
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 200
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 134</pre></div></pre></a> </span></span>
</div>
</div>
</div>
</div>
</div>
<script>
jQuery(document).ready(function () {
var BaseUrl = jQuery('meta[name=lBaseUrl]').attr("content");
jQuery('.newlike').on('click',function(){
var nid=jQuery(this).attr('rel');
jQuery.ajax({url: BaseUrl+'likenews',
data: {nid: nid},
cache: false,
success: function(data){
content = data.split('@#');
var liketxt = content[0]==1?content[0]+' like':content[0]+' likes';
jQuery('#likethump'+nid).removeAttr('class');
jQuery('#likethump'+nid).attr('class','fa '+content[1]);
content[0]>0?jQuery('#likecount'+nid).show():jQuery('#likecount'+nid).hide();
jQuery('#likecount'+nid).html(' '+content[0]+' people like this.');
jQuery('#tootipval'+nid).html(content[2]);
jQuery('#dashlikecount'+nid).html('<span>'+liketxt+' </span><span class="fa '+content[1]+'" style="cursor: pointer;padding: 0 5px;"></span>');
}
});
});
});
</script>
'
$scripts_for_layout = ''
$host = 'http://'
$url = array(
(int) 0 => 'http://www.friendsofwbgs.org/staging/news/view/ak4AlLYCYuKN4FD8OLWQWmCA'
)
include - APP/View/Layouts/webpage.ctp, line 33
View::_evaluate() - CORE/Cake/View/View.php, line 961
View::_render() - CORE/Cake/View/View.php, line 923
View::renderLayout() - CORE/Cake/View/View.php, line 546
View::render() - CORE/Cake/View/View.php, line 481
Controller::render() - CORE/Cake/Controller/Controller.php, line 960
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 200
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 167
[main] - APP/webroot/index.php, line 134